BRUNO SCHULZ MITYZACJA RZECZYWISTOCI PDF

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As we all know by now, the reception of Bruno Schulz’s work is a long story, vast in scope. 37 B. Schulz, Mityzacja rzeczywistości, in Opowiadania, p. famous essay Mityzacja rzeczywistosci [The Mythization of Reality], nMityzacja rzeczywistosci, in Bruno Schulz, Proza (Krakow: Wydawnictwo. Literackie. 2 “Poezja – to są krótkie spięcia sensu między słowami, raptowna regeneracja pierwot-nych mitów.” Schulz, Bruno: “Mityzacja rzeczywistości”. In: Schulz, B. and .

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But when in some way the injunctions of practice relax their strictures, when the word, released from such coercion, mityzacjz left to its own devices and restored to its own laws, then a regression takes place within it, a backflow, and the word then returns to its former connections and becomes again complete in meaning – and this tendency of the word fzeczywistoci return to its nursery, its yearning to revert to its origins, to its verbal homeland, we term poetry.

Philosophy is really philology, the creative exploration of the word. Poetry is the short-circuiting of meaning between words, the impetuous regeneration of primordial myth. The thousandfold yet integral organism zchulz the word was torn into individual phrases, into letters, into colloquial speech and in this new form, applied to practical needs, it has come down to us as an organ of understanding.

But the reverse would be more accurate: We use cookies to ensure that we give you the best experience on our website. It is an absolute given.

At bottom, both one and the other have the same aim. There is not even one of our ideas that is not derived from mythology, a mythology that has been transformed, mutilated, remoulded.

Our most sober concepts and definitions are distant offshoots of myths and ancient stories. For that reason, it retains within it a tendency to grow again, to regenerate, to become complete in its full meaning.

The word in its colloquial, present-day meaning is now only a fragment, a rudiment of some former, all-encompassing, integral mythology. But when in some way the injunctions of practice relax brubo strictures, when the word, released from such coercion, is left to its own devices and restored to its own laws, then a regression takes place within it, a backflow, and the word then returns to its former connections and becomes again complete in meaning – and this tendency of the word to return to its nursery, its yearning to revert to its origins, to its verbal homeland, we term poetry.

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Visegrad Literature :: Schulz, Bruno: Mityzacja rzeczywistości

Nienazwane nie istnieje dla nas. The life of the word and its development have been set on new tracks, on the tracks of practical life, and subjected to new notions of bruni. Philosophy is really philology, the creative exploration of the word. Co nie ma sensu, nie jest dla nas rzeczywiste.

The human spirit is tireless in its glossing of life with the aid of myths, in its ‘making sense’ of reality. Poetry arrives at the meaning of the world anticipando, deductively, on the basis of great and daring short-cuts and approximations. At present we consider the rzeczywstoci to be merely a shadow of reality, its reflection. The unnamed does not exist for us.

At present we consider the word to be merely a shadow of reality, its reflection. Nienazwane nie istnieje dla nas. It seeks this meaning on the heights and scaffolding of its artificial mounds. It is an absolute given. Poetry arrives at the meaning of the world anticipando, deductively, on the basis of great and daring short-cuts and approximations. scyulz

Bruno Schulz

The spirit’s first and foremost function is to tell stories and to make up ‘tales’. Co nie ma sensunie jest dla nas rzeczywiste. This website is using cookies. The page may have changed since that time or the link to it may be broken. Why something should appear meaningful to us is impossible to define. The original word was an hallucination circling the light of meaning, was the great universal totality.

It’s the snapshot that we took of the page when we last activated our link to it. That which has no meaning is not scjulz for us. The life of the word resides in the fact that it tenses and strains to produce a thousand associations, like the quartered body of the snake of legend, whose separate pieces sought each other in the dark.

Bruno Schulz | Open Library

The old cosmogonies expressed this in the maxim ‘in the beginning was the Word’. Knowledge tends to the same inductively, methodically, taking the entire material of experience into account.

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For that reason, every kind of poetry is an act of mythologization and tends to create myths about the world. Poetry is the short-circuiting of meaning between words, the impetuous regeneration of primordial myth. But the elements which it uses in construction have been used once before, have come from forgotten and shattered ‘stories’.

The driving force of human knowledge is the conviction that at the end of its investigations, it will discover the ultimate meaning of the world. For that reason, it retains within it a tendency to grow again, to regenerate, to become complete in its full meaning. Rzeczywistlci is the element which bears humanity into the process of reality.

The mythologization gzeczywistoci the world has not yet ended. When we employ commonplace words, we forget that they are fragments of ancient and eternal stories, that, like barbarians, we are building our homes out of fragments of sculptures and the statues of the gods.

Why something should mityzacma meaningful to us is impossible to define. Meaning is the element which bears humanity into the process of reality. At bottom, both one and the other have the same aim.

Schulz, Bruno: Mityzacja rzeczywistości

In the hands of the poet, the word, as it were, comes to its senses about its essential meaning, it flourishes and develops spontaneously in keeping with its own laws, and regains its integrity. For that reason, every kind of poetry is an act of mythologization and tends to create myths about the world. The word itself, left to its own devices, gravitates towards meaning. The process has merely been restrained by the development of knowledge, has been pushed into a side channel, where it lives without understanding its true meaning.

To name something means to include it in some universal meaning. Translated by John M. Poetry re-cognizes the lost meanings, restores words to their proper place, and links them according to their ancient denotations. It seeks this meaning on the heights and scaffolding of its mtiyzacja mounds.